2 I would like to confirm that this thesis is my own work. Signed: Katrina Naomi Abstract The critical commentary, Beyond Gentility: Violence in the Poetry of Sharon Olds, Pascale Petit, Peter Redgrove and Robin Robertson, focuses on interpersonal violence. It includes a discussion on A. Alvarez’s essay ‘The New Poetry’ and critical reactions to Phd Thesis Poetry service has gained an excellent reputation for its contribution in students’ academic success. Today, thanks to our popularity and spotless image with users, our Phd Thesis Poetry servers are overwhelmed with clients’ desperate pleas of “write an essay for me” while our Phd Thesis Poetry writing masterminds tend to This thesis examines representations of monstrosity in Old English literature. The literary studies herein examine the construction of monstrous individuals in Old English poetry, and I demonstrate that literary monstrous types converge and develop a tradition of monstrosity that informs the monsters of the Liber monstrorum and Anglo-Saxon Wonders of the East
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Saunders, Rosalyn The monster within: emerging monstrosity in Old English literature. PhD thesis, University of Glasgow. This thesis examines representations of monstrosity in Old English literature. The literary studies herein examine the construction of monstrous individuals in Old English poetry, and I demonstrate that literary monstrous phd thesis poetry converge and develop a tradition of monstrosity that informs the monsters of the Liber monstrorum and Anglo-Saxon Wonders of the East.
I argue that, for Old English writers, a monster was not necessarily a deformed being located in the distant lands of the East; rather, the literary and linguistic evidence suggests that any man or woman had the potential to become a monstrous type within the conventional social order. The Old English works examined are Precepts, Maxims I and II, Vainglory, Judith, The Battle of Maldon and Beowulf because each text reveals that Old English writers utilised binary sex and gender phd thesis poetry to define the phd thesis poetry roles and behaviours appropriate for the masculine and feminine, phd thesis poetry.
According to critical theory, gender is a performance and both men and women must therefore prove their gender identities by behaving in a certain way and fulfilling the roles deemed appropriate for their gender.
In failing to conform to the expectations of their gender, a gender-monstrosity matrix works upon the social transgressors, excluding them from the social order and distorting their gender identities into a monstrously confused yet recognisable construct.
In the literary works examined, the monstrous type is not only the antithesis to the idealised masculine and feminine, phd thesis poetry, but is also a malevolent figure whose anti-social words and actions transgress gender expectations.
I demonstrate that the danger posed by the monster is not only physical, but also psychological. The monster threatens the communal harmony of the social order because, in Old English literature, monstrosity emerges in the form of an uncontrolled riot that incites unrest and enmity in the hall, or as words and outward actions that are purposely deployed or withheld in order to demoralise, destroy, and even consume the masculine symbolic order in the pursuit of self-gratification.
Skip to main content Accessibility information. Site navigation Study Research About us Student life Alumni Support us Contact. Site tools A-Z Lists. Home Phd thesis poetry Theses. Enlighten: Theses. The monster within: emerging monstrosity in Old English literature. Back to top. Contact us The University of Glasgow is a registered Scottish charity: Registration Number SC Due to copyright restrictions the full text of this thesis cannot be made available online.
Access to the printed version is available once any embargo periods have expired. Dr Rosalyn Saunders, phd thesis poetry.
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